IX. Madách International Theater Meeting
1 April - 1 July 2023.
"O Man, strive on, strive on, have faith; and trust!"
(Imre Madách)
This is the first opportunity for the Kaposvár stage design students to show their work at the MITEM festival.
Exhibition Opening in the Entrance hall ont he first hall of the Nathional Theatre.
Since its premiere at the National Theatre in Budapest last autumn, Részegek (The Drunks), directed by Victor Ryzhakov, has been bringing down the house. It is shortlisted for the summer 2017 POSzT (National Theatre Festival in Pécs), too, where the previous season’s most highly esteemed Hungarian productions are presented each year.
Shakespeare is a landmark in the construction of tragedy: he intersperses tragedy with novelistic and dramatic threads – he opens the play with a novelistic drama and we are faced with this novelistic drama actually up to the actors’ play. Here the drama does not, really cannot, yet slide into tragedy. Hamlet starts with a test: he needs to ascertain his apprehension whether time is really out of joint. Tragedy is still to follow; Hamlet would not be the tragic hero of modern times if he passed up this experiment, if he did not start with the intellectual’s certitude and took combat with mere conviction or prejudice, if he simply accepted the revenge.
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