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Juan Mayorga

María Luisa 14

María Luisa

Co-production of LAZONA and Teatro de la Abadía, Madrid, Spain

Director: Juan Mayorga

Performed in Spanish with Hungarian and English subtitles

1 hours 40 minutes, without breaks.

María Luisa is an elderly lady who lives alone, independent and enjoys life. A casual conversation with the doorkeeper of the house is the trigger for a succession of scenes that, with a lot of humour and an endearing tone, allow us to discover the world of this curious lady up close. Her flat, her trips around the city on public transport, her wandering outside the door of a dance hall, the telephone conversations with her friend Angelines… With this recently written work, Juan Mayorga makes his debut at La Abadía after assuming the artistic direction of this theatre. A comedy about loneliness, old age, and the blurred boundaries between reality and imagination.

 

The director’s presentation 

Old age and desire

In a conversation in the stands, while we were watching a Little League basketball game in which our daughters are playing, a friend who works as a goalkeeper told me that he had just given some advice to an elderly woman, a neighbor of his property: he had suggested adding some names in her mailbox, so that the crooks wouldn't know that she lived alone.

I immediately began to imagine María Luisa, who comes to have a snack, like every Thursday, with her friend Angelines, and who, reluctantly, agrees to add names to the little sign on the mailbox, without knowing - or is she already beginning to know? - who is going to embark on a great adventure.

I really enjoyed writing María Luisa and I have enjoyed even more putting it together with Juan Codina, Lola Casamayor, Paco Ochoa, Juan Paños, Marisol Rolandi and Juan Vinuesa, six extremely talented performers who create theater with the seriousness and joy of children. We were accompanied by the set designer Alessio Meloni, the illuminator Juan Gómez Cornejo, the musician Yaiza Varona, the costume designer Vanessa Actiff, the assistants Laura Mihon and Ana Barceló and the enthusiastic teams from the Zone and the Abadía Theatre.

My friend, the doorman, tells me that he laughed and was moved by María Luisa. He also says that it is a work about old age, loneliness, imagination and desire.

Juan Mayorga

Színészek:

Lola Casamayor as María Luisa
Juan Codina as Benito Beckenbauer
Paco Ochoa as Raúl
Juan Paños as Emerson Azzopardi
Marisol Rolandi as Angelines
Juan Vinuesa as Juan Olmedo


Ügyelő: Alessio Meloni
Öltöztető: Vanessa Actif
Fénytervező: Juan Gómez Cornejo
Hangtervező: Yaiza Varona
Movement: Xus de la Cruz
Photography and Graphic Design: Javier Naval
Executive Producer: Jair Souza - Ferreira
Production Assistant: Elisa Fernández
Production Director: Miguel Cuerdo

Rendezőasszisztens: Laura Mihon
 

Director

Juan Mayorga

GH
Gobbi Hilda Stage
Juan Mayorga

Juan Mayorga

Juan Mayorga (1965, Madrid) Fotó: Javier Naval.
Graduated in Philosophy and Mathematics, he has studied Dramaturgy with Marco Antonio de la Parra, José Sanchis Sinisterra and at the Royal Court Theater International Summer School in London. He has been a professor of Mathematics in Madrid and Alcalá de Henares, a professor of Dramaturgy and Philosophy at the Royal Higher School of Dramatic Art in Madrid and director of the seminar Memory and Thought in Contemporary Theater at the Institute of Philosophy of the CSIC. 
He has given playwriting workshops and conferences on theater and philosophy in various countries. He has been a member of the editorial board of the magazine “Primer Acto” and founder of the theater collective “El Astillero”. 
He is currently Director of the Chair of Performing Arts at the Carlos III University of Madrid and artistic director of the Teatro de la Abadía and the Corral de Comedias de Alcalá de Henares.

Among others, he has won the Princess of Asturias Award (2022), National Theater Award (2007), National Dramatic Literature Award (2013), Valle-Inclán (2009), Ceres (2013), La Barraca (2013), Max Award for Best Author (2006, 2008 and 2009) and Best Adaptation (2008 and 2013) and Europe Award for New Theatrical Realities (2016). 

He is the author of multiple theatrical texts, among others: Nocturnal Animals, The Boy in the Back Row, made into a film by François Ozon; Darwin’s Turtle, The Tongue in Pieces, The Cartographer, Silence and The Golem. He has written versions of texts by Calderón, Lope, Shakespeare, Lessing, Dostoevsky, Chekhov, Ibsen, Kafka and Dürrenmatt. His work has been released in thirty countries and translated into twenty languages. 

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